Tag: albert camus

The Fall by Albert Camus – Review

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“A single sentence will suffice for modern man. He fornicated and read the papers. After that vigorous definition, the subject will be, if I may say so, exhausted.”

Albert Camus, the French-Algerian novelist and Absurdist, lived what many would describe as an eventful life. He fought in the French resistance during World War 2, won a Nobel prize before he was fifty, and essentially founded a philosophical movement which still holds sway today. As his legions of fans over the last century would tell you, although probably not with this phrase, he was an unquestionable badass who lived by his convictions.

It’s therefore striking how often his work focuses on the unexceptional. His characters are not naturally brave and strong; they are ordinary men put in difficult circumstances which are nonetheless everyday: disease, melancholy, death.

The subject matter of The Fall, as with much of Camus’ work, could be fairly called depressing. On the surface, it’s the tale of a fallen socialite with a lot to say about the nature of truth and self-deception. You’re at a bar one night (the novel is a second-person narrative) and a stranger wants to tell you about his life as a judge-penitent. You don’t know him, or have any way of verifying if he’s speaking the truth. He seems arrogant, but intriguing. Do you listen?

After watching a woman commit suicide one day, this man found his mind slowly unravelling. He didn’t try to stop her. He didn’t even move. The world has shown him that he is ordinary and selfish. He’s come to some radical conclusions about the universe in the last few years, so listen up.

Camus’ tone is as witty and dry as ever, and due to the abundant grin-worthy aphorisms this novel almost works as a black comedy. The narrator is so melodramatic and slimy that it’s extremely entertaining if seemingly bleak. Deception is a running theme in his tale, and you question just what you’re being told is true and if that even really matters.

This is the kind of book that doesn’t read well if the reader isn’t willing to grit their teeth and wonder just what the hell the author is trying to get across. Passive readers, much like passive people, don’t have much luck in Camus’ universe. With the short page length, though, it’s worth your time.

The Plague by Albert Camus

  

“All I maintain is that on this earth there are pestilences and there are victims, and it’s up to us, so far as possible, not to join forces with the pestilences.”

Oran is a dreary port city where boredom disguises itself as contentment. Inhabitants go about their lives as though in a daze; not uncomfortable, not joyous. This is a place of greys.

And then the plague comes. All gates are shut, and the town is sealed. No one will be leaving for a very long time. Uncountable rat corpses are coverings streets and doorsteps, men and women are coughing up blood, and thousands are dying. We follow Rieux, a doctor trying to do what he can to help, as lives are changed and the question of whether or not you have lived well becomes a much more immediate concern.As you can, this isn’t an always a cheerful read. It is engaging, though, despite being almost a polemic (or, to be more blunt, preachy), but as this is Camus that’s rather like complaining water is wet. The dialogue felt stilted and forced at times, though, but how much of that can be blamed on the translation from French I couldn’t say. The characters are well-drawn, with some fascinating motivations and painful backgrounds. I was actually surprised at how personal this often feels considering the heady subject matter, as individual worries are again and again at the centre of concern rather than society wide sweeping change.

All stories come together to give readers a message that sounds extremely trite summarised. Big truths often do, though. Camus makes us understand that only individual sacrifice can stop the plague (which, as might be obvious, is very much a metaphor), to stop pain from spreading if you possibly can. Heroism isn’t something that should be glorified to Camus, it’s merely what must be done. Ordinary people have no choice but to become exceptional, or their friends and family will go through gruesome ends. In fact, friends and family might die either way. But, even if defeat’s inevitable, we should still try to be good.

This isn’t what I could exactly call an exciting read in the way The Stranger was, something which I raced through and made me question the way I looked at the world. It’s less direct than that, and as such maybe less impactful. All I can say is that three-hundred pages of misery somehow made me feel uplifted, and that’s an accomplishment.